Thursday, February 25, 2010

More Bunnies






Pencil on paper by Jedsada Tangtrakulwong

Wednesday, February 24, 2010

If Computers Did the Drawing For Us


A list of perfect female statistics was fed into this artificial brain (the thing that looks like a vending machine in the corner) and the result was this drawing, titled "Miss Formula," 1964.

Tuesday, February 23, 2010

Drug Store Mannequin Digression

Business has taken me out of town and away from the blogosphere for a few days. Until I return, here is a post of the coolest thing I have ever seen (discovered at a Long Beach, Calif. collectibles shop Feb. 20, 2010):




It is an Italian mannequin made of resin in the 1950s and used as a drug store display for bandages. This fellow stands under 5 feet tall, and has a small, perfectly round hole straddling his upper and lower lip -- I suspect it was to hold a resin cigarette that fell off at some point.

Thursday, February 18, 2010

Today's Drawing


Pencil, oil stick and turpentine on bristol, 11" X 14"

Wednesday, February 17, 2010

Line a la German Expressionism:

Kathe Kollwitz, self portrait 1924, charcoal on paper


Tuesday, February 16, 2010

Anti-anti-art


Anti-anti-art

From Wikipedia, the free encyclopedia

Anti-anti-art is a stance proposed by the Stuckists in their manifestos outlining their art. In it, they take a particularly strong position in opposition to what is known as "anti-art".
Stuckists claim that conceptual art is justified by the work of Marcel Duchamp, but that Duchamp's work is "anti-art by intent and effect". The Stuckists feel that "Duchamp's work was a protest against the stale, unthinking artistic establishment of his day", while "the great (but wholly unintentional) irony of postmodernism is that it is a direct equivalent of the conformist, unoriginal establishment that Duchamp attacked in the first place".

Monday, February 15, 2010

Line, Pt. 9

Let's look at two things together that we have so far explored separately: line and doodles. The following three drawings were discovered at random on a notepad in the lunch room of the pencil factory where I sometimes do freelance graphic work: 





Do these drawings tell a story? Are they maps of something? Are they somebody's daydream? Are they a continuous narrative? What can we tell from the line? Is it obvious the person who did these drawings was sourcing their imagination, or is there evidence of some reference material? Does the drawing use symbols honed in childhood to communicate information? Does it matter? Do you think these drawings are more interesting as mystery artifacts, or are you searching for their context to derive meaning? Submit your doodles to eglazner@gmail.com for future discussion.